Excerpts from “Secrets in the Fields” by Freddy Silva circa 2002

Excerpt 1

Page 119

“….So, just as Colin Andrews once received a dramatic reply to his cry for an answer to the riddle, mine came to thought “Smell the plants, you idiot”.

I reached down and cut the base of stems, in the fresh crop glyph. They exuded a malty fragrance, as if the water within the plants had been heated and cooked them from inside. The lower parts of the stems were superficially charred, too…..

……Canadian researcher Chad Deetken noticed…..said that 60 percent of crop circles appear during rainy nights (Deetken 1993)…..

…..in 50 percent of crop circles visited, the soil was noticeably drier compared to the tackier texture farther away from the center…..

Page 120

….Historically, crop circles have strategically referenced aquifers, ponds, wells, or underground tanks (Andrews and Delgado 1991). There is also a disproportionately large number of incidences in which circles appear where the groundwater is close to the surface, primarily in southern England where the chalk aquifer, the deepest in the world, provides an excellent moisture trap.

Historian Brian Grist has made a detailed analysis of the positioning of crop circle events and shows how the majority prefer aquiferous ground…..

…..Similar conclusions were independently reached and reinforced by Steve Page and Glen Broughton ten year later when they found 78.7 percent of recorded crop circles appeared over chalk and greensand (a mixture of sandstone and green earth). When the placement of aquifers is taken into consideration, the figures rise to 87.2 percent (Page and Broughton 1999).

So there appears to be a connection between water and the formative energy of crop circles, and given the effect on the plants and soil, it appears to generate some form of intense heat….

Page 121

…..Pure water in itself is not a conductor of electrical current. To be so, water requires a significant amount of dissolved minerals as part of its chemical makeup, and it just so happens that the water in the southern English aquifer is saturated with alkaline chalk. Chalk is a piezoelectric substance (it builds a static charge under pressure) composed of small prehistoric sea creatures, all containing tiny amounts of magnetite that once enabled them to orientate to Earth’s magnetic field. The net effect of billions of pieces of magnetite locked together and pressurized, together with energized groundwater, is the creation of the creation of a low magnetic field. This is especially so if the chalk is spread over a substantial geographic area, which the southern English chalk beds are. The combination makes this part of the world one of the largest natural conductors of electrical energy…..

Page 122

…..When you’ve got a lot of water in an underground aquifer or water table, fluctuating through porous chalk, a lot of electrical ground current is created. We were able to measure that in numerous ways in 1993. Such currents are taking place in the ground and creating significant magnetic fields. We measured the actual electrical current with electrodes in the fields and sites that are getting the most and the largest crop circle activity. Around Silbury Hill, in two days following a thunderstorm, as the water settled into this surface chalk aquifer, it created these electrical currents. We did a magnetic survey in the field and detected wide variations in magnetic fields there. Four days later it received a major formation. Four days after that we resurveyed that field and the variation shad evened out (Burke 1996)…..”

Excerpt 2

Page 124

“…..The Universe is an expansion of visible and invisible frequencies of light. When this light energy interacts with gravity the rate of spin of its molecules slows down, the myriad frequencies express themselves as matter, and the form and color of every organism and every object is there-by determined. Light is both particle and wave, and it transfers its energy by means of rapidly alternating electromagnetic field in the form of two waves; one electrical, the other magnetic which lags one step behind. Electromagnetic waves are transverse; that is, their two components move in tandem, perpendicular to the direction of travel. The transverse wave carries information vital to the cells of every organism, particularly the DNA in the human body.

The number of times a wave occurs in one second (the wave length) determines its frequency, which is also called vibration or oscillation; this frequency is measured in hertz (Hz). Consequently, one wave equals one vibration per second or 1 Hz (1000 Hz = 1kHz; I million Hz or 10 to the 6^th power Hz = 1 MHz; I billion Hz or 10 the ninth power Hz = 1 GHz.

Excerpt 3

Page 160

“…..Mathematically, twenty-seven is three cubed, just as twenty-seven points is required to geometrically define a hypersphere (a 4-S sphere) in our three dimensional space (ibid.). And speaking of spheres, the period of revolution of the Moon around the Earth is 27.2 days.

In Old Testament gematria, twenty-seven is number of light, just as in Hebrew, it is the number of illumination (Gaunt 1995)….The number twenty-seven is also the difference between the notes F and G. Arithmetically this is split into two parts, the lesser of thirteen units and the greater of fourteen units. The miniscule region between these parts is called the “Pythagorean comma”, and it is marked by the note F-sharp (Levin 1994).

F-sharp is regarded with great respect by ancient Chinese as Hu, the tone of the Earth. Native American flute makers to this day tune their instruments to serenade Mother Earth to this note. It appears to have significant influence among the pyramid builders of ancient Egypt. After he conducted a series of experiments inside the King Chamber of the Great Pyramid, acoustic engineer Tom Danley identified four resonant frequencies, or notes, that are influenced by dimensional and materials used in its construction. The notes form an F-sharp chord which according to ancient Egyptian texts, was the harmonic of our planet. Moreover, Danley’s tests show that these frequencies are present in the King’s Chamber even when no sounds are being produced. So we see yet more connection with our Egyptian ancestors…..”

Excerpt 4

Page 167

“….the pioneering work of Dr. Chiang Kanshen (a formerly imprisoned Chinese scientist who escaped to Russia), who researches bioenergetic communication, Dr. Kanzhen’s work demonstrates how DNA is a passive data storage device comprising active material carriers in the form of bioelectromagnetic signals. These photons possessing corpuscular and wave properties capable of transmitting energy and information.

These photons operate at the extreme ends of the electromagnetic spectrum, namely, at very low frequencies (which excite the photons) and very high frequencies (the bandwidth capable of transmitting large amounts of information). Any excitation of the bioelectromagnetic field is therefore transmitted to the DNA, and in laboratory experiments genetic information has already been successfully transmitted from one organism to another (Kanxhen 1993).

For more than a decade, Irish molecular biologist and immunologist Colm Kelleher has also researched the structure and properties of the 97 per cent of our genetic material that does not code to protein, and discovered that more than a million sequences in human DNA have the property of being able to “jump” from chromosome to chromosome. When activated to jump, these sequences, or “transposoms,” are capable of large-scale genetic change in a very short time.

Kelleher proposes that the activation of the transposoms is done through intense spiritual energy experienced in altered states such as shamanic initiations, near-death experiences……….

Excerpt 5

Page 172

“….Sacred or canonical geometry is not some obscure invention of the human mind,” wrote Paul Devereux, one of the world’s leading writers on Earth mysteries, “but an extrapolation by it of implied patterns in nature that frame the entry of energy into our space-time dimension. The formation of matter and the natural motions of the Universe, from molecular vibration through the growth of organic forms to the spin and motion of planets. stars and galaxies, are all governed by geometrical configurations of force. One can dissect a plant or a planet and not find the Maker’s blueprint anywhere in site, of course; it is inherent” (Devereux 1992).

Sacred geometry is a mirror of the Universe, and as such, it is timeless. It is also a form of communication that can be accessed at ancient places. As Devereux says, “It is the ultimate systems language.”…..Let us briefly examine sacred geometry and its place in the greater scheme of things.

Our experience of and reaction to all things beautiful is made possible by our ability to distinguish order from chaos. When we recognize the perfection inherent in a Greek temple or a painting by da Vinci, we are subconsciously responding to proportions bound by the universal laws of geometry. To quote the geometer Robert Lawlor. “The practice of geometry was an approach to the way in which the Universe is ordered and sustained. Geometric diagrams can be contemplated as still moments revealing a continuous, timeless, universal action generally hidden from our sensory perception. Thus a seemingly common mathematical activity can become a discipline for intellectual and spiritual insight” (Lawlor 1982). A substantial body of evidence for this is found in the unlikeliest of sources, Religion.

As stated in Islam (particularly Sufi, its mystical half) – and echoed in Jewish and Hindu religions – sacred geometry enables humanity to see the archetypal world of God. At its heart, the Arabic faith still-contains an unadulterated snapshot of this primordial truth, in the geometric figures adorning its mosques and art forms. Consequently, Islam has served as curator and preserver, maintaining the purity of the philosophy of geometry, “akin to the Pythagorean-Platonic tradition of antiquity but in a totally sacred universe free of the nationalism which finally stifled and destroyed esoteric traditions of Greek intellectuality,” to quote the eminent Arabic historian S.H. Nasr (Critchlow 1976).

It’s not certain from where the terrestrial origin of this knowledge stems, since the forms of scared geometry are just as evident in Celtic, Tibetan, and Buddhist art-even in native North American sand paintings. In other words, sacred geometry is a universal principle shared by cultures that seemingly had little or no contact with each other.

One of the earliest known practitioners of scared geometry were the Egyptians. Its proportions were embedded in the ground plans of their temples, their frescoes, and in the Great Pyramid at Gitzeh, whose structure contains many mathematical laws since attributed to Pythagoras. But although enlightened Egyptians used geometry for all manner of terrestrial applications – hence geo-metry, “measure if the earth” – their aim was metaphysical. Egyptologist John Anthony West postulates: “The whole of Egyptian civilization was based upon a complete understanding of Universal laws. And this proud understanding manifested itself in a consistent, coherent and inter-related system that fused science, art and religion into a single organic Unity (West 1993).

The symbolic language of Egypt, together with its texts on medicine, mathematics, and science, demonstrates the Egyptians knew how the world works, and they did so without the advantages of computers or electron microscopes. proving that one does not need advanced technology to access and understand the finer realms of life. And because the Egyptians recognized sacred geometry as the mechanisms of the heavens, they applied it liberally across the landscape for millennia as a way to bestow Universal order on Earth, a concept encapsulated in the Hermetic maxim, “As Above, So Below.”

Such obvious benefits did not go unnoticed by other enlightened groups, and permanent expressions of this knowledge were subsequently erected for posterity throughout Europe, in the form of the Parthenon, the Temple of Delphi, Aachen cathederal (whose chapel bears identical ground-plan measurements to Stonehenge), and Chartes cathederal, one of the most impressive hymns to sacred geometry. The knowledge made its way north to the British Isles, for it is immortalized in Stonehenge. In fact, the “Pythagorean” geometric  tradition was already well in use throughout Britain some 3,000 years before the Greek mathematic, as evidenced by the formulae adopted for the construction of stone circles (Strachan 1998; Thom 1967).

Obviously the principles of sacred geometry were important enough for scholars and architects to go to enormous lengths to preserve for future generations. Well, that was the idea. These practices were abolished as a form of study by order of Emperor Theodosius in 399 A.D., the net effect being the rise of the Middle Ages. Slowly and corrosively, codes for a life in harmony with the Universe gave way to a predilection for violence, intolerance, terror, and persecution. The last great works based on sacred geometry – namely the Gothic and early Renaissance – were kept alive via Plat, the works of Vitruvius, and whatever Hermetic and Quabbalist writings and philosophies survived suppression by the emerging Catholic Inquisition. With the move toward an analytical view of the world, connections to holistic and metaphysical practices were severed, and by the time Newton and the scientific secularism of the seventeenth century prevailed, rational logic had gained such dominance that all esoteric knowledge was condemned as occult.

By the twentieth century, this masculine, left-brained worldview had reached a nadir. Man placed Nature over a barrel, harnessing its power, taming its ways, and desecrating its resources to fuel “progress”. The dubious high point of this culture has given us the nuclear age and saddled us with a few by-products; global urbanization, depletion of resources, and toxification of the Earth which, social scientists point out, has fueled a meteoric rise in human alienation and criminal behavior. Not surprisingly, worship at our ancient temples is today rarely done for its purpose of enlightenment, but a snapshot and a souvenir. As these temples become relegated to mere curiosities from an age gone by, so our wonder of the unseen and our connection to the sacred disappears.

And so the pattern emerges. The more disconnected we become from the Universal order, the more dysfunctional we become as a society. And the longer our umbilical connection remains severed, the more we rely on rationalism to explain our reason for being and the further we stray from spirituality. The vicious circle is compounded by Western language being a separatist language. As Lawlor explains: “Modern thought has difficult access to concept of the archetypal because European languages require that verbs or action words be associated with nouns. We therefore have no linguistic forms with which to imagine a process or activity that has no material carrier” (Lawlor 1982). Yet in the Eastern languages, subject and object are one. Japanese lovers do not declare to one another “I love you,” they declare aishiteru, “loving.” Subject and object are merged into wholeness, and such a linguistic foundation is probably what enables peoples of the East to accept mystical side of life more readily than their Western counterparts.

Thankfully the Universe moves in waves, and cycle of darkness is inevitably moving once again into enlightenment. For one thing, science is discovering the geometry within nature. During a demonstration of an electron microscope before the American Association for the Advancement of Science in 1037, it was discovered that the crystalline structure of tungsten is composed of nine atoms geometrically arranged like a cube. Since then, science has further discovered that the physical structure of elements is governed by geometric arrays surrounding a central point. So the general assumption that the nature of matter is fundamentally composed of solid particles has given way to quantum physics, which shows that at a subatomic level, matter is empty, and at the heart lie patterns of energy. The irony here is that acknowledging geometry as the fundamental basis of matter, science has adopted the stance taken by ancient cultures, elevating those supposed “stone-wielding, loin-cloth primitives” to the highest ranks.

Little wonder, then, that these harmonic laws were so important to temple builders: they are the laws behind the Universe. And since the Universe was created by God, they reasoned that to embed the harmonic ratios governing temporal movement of the heavens into these physical structures, the power and knowledge of the firmament could be bestowed upon the Earth. So, temples became doorways into the mechanics of the physical world and the inner world of consciousness, and the interface would enable anyone to connect with finer levels of awareness.

Today, as alienation from all forms of spiritual and Universal wonder reaches epidemic proportions, expressions of sacred geometry and symbols bearing the hallmarks of ancient philosophy of harmony are manifesting in our fields. Even skeptics will admit that a crop circle designs exhibit a harmony pleasing to the eye much like an ancient temple or classical painting…..”

Excerpt 6

Page 186

“….Energy coming to Earth enters anticlockwise then upwells clockwise. You can find this instruction carved on the stones of Neolithic chambers throughout the world, although science had to wait 8,000 years before Russian physicists discovered that natural anticlockwise rotating systems add energy, and clockwise rotations release it (Kozyrev 1968)…”

Naturally occurring examples (Elmer Verigin comments):

1. The electromagnetic field that surrounds a wire that is carrying electricity can be depicted by surrounding fingers around an electric wire with the thumb pointing to direction of the current travel, the fingers illustrate the magnetic field action which is always counter clockwise
2. All races are run on tracks in a counter clockwise direction
3. Baseball base running is counter clockwise
4. The Earth rotates anticlockwise
5. Earth and the Solar System Planets spin around the sun counter clockwise

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Excerpted by Elmer Verigin December 2012